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(OC) Before and after of a digital restoration to a tondo from an Attic red-figure kylix by Kachrylion (Greek potter), it depicts Eros flying above the sea and holding a flower (love gift). , ca. 510–500 BCE. [4098 x 1535]

(OC) Before and after of a digital restoration to a tondo from an Attic red-figure kylix by Kachrylion (Greek potter), it depicts Eros flying above the sea and holding a flower (love gift). , ca. 510–500 BCE. [4098 x 1535]

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Sloop DORIS, sailing yacht designed by Nathanael Herreshoff, built in 1905 / largest all‐wood boat ever built by Herreshoff / Moved from New London to Mystic in 2016 for new restoration effort after languishing for decades. [1798×944]

Sloop DORIS, sailing yacht designed by Nathanael Herreshoff, built in 1905 / largest all‐wood boat ever built by Herreshoff / Moved from New London to Mystic in 2016 for new restoration effort after languishing for decades. [1798×944]

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Poster for “Cendrillon” (1898), an opera in four acts by Jules Massenet to a French libretto by Henri Caïn. Based on Charles Perrault’s 1698 version of the Cinderella fairy tale. Created by: Émile Bertrand; restoration: Adam Cuerden [3261×4339]

Poster for “Cendrillon” (1898), an opera in four acts by Jules Massenet to a French libretto by Henri Caïn. Based on Charles Perrault’s 1698 version of the Cinderella fairy tale. Created by: Émile Bertrand; restoration: Adam Cuerden [3261×4339]

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Theatrical poster for a 1901 production of Ben-Hur, an adaptation of Lew Wallace’s novel Ben-Hur: A Tale of the Christ (1880). Written by William W. Young and produced by Marc Klaw and A. L. Erlanger. Lithograph: Strobridge Lith. Co; restoration: Adam Cuerden [2795×1904]

Theatrical poster for a 1901 production of Ben-Hur, an adaptation of Lew Wallace’s novel Ben-Hur: A Tale of the Christ (1880). Written by William W. Young and produced by Marc Klaw and A. L. Erlanger. Lithograph: Strobridge Lith. Co; restoration: Adam Cuerden [2795×1904]

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Rami Magdy works on the restoration of a chariot from Tutankhamun’s tomb at the Wood Laboratory in the Grand Egyptian Museum’s conservation center. The first phase of the GEM will open the end of this year and will feature a special display of treasures from Tutankhamun’s Tomb [727×485]

Rami Magdy works on the restoration of a chariot from Tutankhamun’s tomb at the Wood Laboratory in the Grand Egyptian Museum’s conservation center. The first phase of the GEM will open the end of this year and will feature a special display of treasures from Tutankhamun’s Tomb [727×485]